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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 28 results for Girard Audran
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Les proportions du corps humain, mesurées sur les plus belles figures de l'antiquité
Girard Audran
1683
Portrait of Pierre Séguier
Girard Audran
1672
Frontispiece for 'Theatrum Vitae Humanae'
Girard Audran
1678
The Taking of Alexandria
Girard Audran
1672–78
The Battle of Antioch
Girard Audran
1672–78
Les Proportions du Corps Humain: Mesurées sur les Plus Belles Figures de l'Antiquité (Proportions of the Human Body Measured from the Most Beautiful Antique Sculptures)
Girard Audran
1683
Painting
Jean Audran
1690
Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
Ulysses discoveres Achilles; Achilles, dressed as a woman, removes weapons from a chest, revealing his true identity to Ulysses, who stands next to him
Girard Audran
1685–1703
Two scenes set inside elaborate frames and sculpture work; at top a triumphal procession with three men at center carrying Goliath's severed head on a spike, David following behind, at bottom King Saul seated at center watching David walk away holding his sling; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
The Martyrdom of Saint Agnes, her stabbing death at center, a lamb next to her at left, a soldier standing at left and women and children recoiling at right, The Holy Trinity with angels on clouds above
Girard Audran
ca. 1660–1703
The Mystery of the Rosary, various people below holding rosaries with two soldiers holding spears to them, the Virgin and Child at top center, an angel at right holding a cross and another holding Veronica's veil, angels overhead holding flags and banners, flowers from overhead falling onto the people below
Girard Audran
ca. 1660–1703
Figures de Differents caracteres, de Paysages . . .Volume I
Antoine Watteau
1726
Figures de Differents caracteres, de Paysages . . .Volume II
Antoine Watteau
1728
Plusieurs Sortes d'Ornemens & Masque
Georges Charmeton
1676
Plusieurs Sortes d'Ornemens comme Paneaux ou Montans, Scabellons, Platfonds
Georges Charmeton
1635–74
Plusieurs Vaze
Georges Charmeton
1676
Ornemens
Georges Charmeton
1640–85
Diverses Ornemens & Masque
Georges Charmeton
1676
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens)
Georges Charmeton
ca. 1670–76
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 6
Georges Charmeton
ca. 1670–76
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 4
Georges Charmeton
ca. 1670–76
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 1
Georges Charmeton
ca. 1670–76
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 2
Georges Charmeton
ca. 1670–76
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 5
Georges Charmeton
ca. 1670–76
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 3
Georges Charmeton
ca. 1670–76
The Abduction of the Sabine Women
Nicolas Poussin
probably 1633–34